Saturday, 31 October 2009

Enjoy The Silence

Very busy writing. Blogging on hold for two weeks. Byeeeee.

Wednesday, 28 October 2009

My Ark

Just finished Steven Baxter’s novel ‘Ark’. Absolutely marvellous, spellbinding, thoroughly recommended. It’s a sequel to his earlier, and equally magnificent ‘Flood’, so you should read that first.

The titles are fairly self-explanatory; ‘Flood’ tells the story, set in the next fifty years or so, of an Earth where the sea levels are rising at an exponential rate until, eventually, every land mass is underwater. It’s all about the breakdown of society, and the development of rafts and submarines as two of humanity’s three solutions to the crisis.

‘Ark’ deals with another of those solutions; the construction of an interstellar space craft, housing about eighty hand-picked candidates, travelling to an Earth-like planet around a nearby star. Even though the craft can travel faster than light, the journey still takes about ten years. The book’s about life on this space craft, cramped and sweaty, and then when they reach their destination, they discover the planet isn’t so great and have to decide whether to make the best of it, try for somewhere else another thirty years’ off, or head back home.

Both these novels are Steven Baxter writing hard science fiction disaster movies, but bringing in ideas about of survivalist psychology and sociology, and ultimately human evolution. What I loved about it, though, apart from the visceral delight of such a well-constructed and detail apocalypse scenario, is that it’s just all so damn exciting. Really – one of the set-pieces, for instance, is a rocket taking off in the middle of a war zone, complete with exploding helicopters. It’s blockbuster writing.

My only complaint is that I wanted the book to go on for another 500 pages. There has to be a sequel about how things turn out for the various groups of survivors fifty years later. I’m placing my order now.

Tuesday, 27 October 2009

The Innocents

This week, Mute has released a re-mastered version of Erasure’s 1988 album ‘The Innocents’. The first of, hopefully, a series of re-masters – certainly their first two albums, and everything up to and most definitely including ‘Loveboat’ could do a digital spit and polish. The re-release includes, as bonus bollocks, a DVD of the concert the band did for the BBC in 1988 (which was not part of ‘The Innocents’ tour, but who’s splitting hairs?) and a CD of remixes, including the ‘much sought after’ 7” mix of ‘River Deep, Mountain High’ (much sought after by those fans who don’t already have it as part of the singles box set).

Oh, I’m being churlish. But whilst I am, it would’ve been nice to have had the radio session of ‘Phantom Bride’ included. There’s also some nice rehearsal footage from the BBC show which I dug up for one of the conventions, back in the day.

Beside the point. The point is that ‘The Innocents’ is a magnificent album, featuring ten terrific Clarke/Bell originals, some of the strongest stuff they’ve ever done, including their best song, ‘A Little Respect’, plus an instrumental Vince wrote after hearing M/A/R/R/S Pumping Up The Volume in the studio next door, and two bonus tracks which DON’T COUNT AS PART OF THE ALBUM.

Whilst I love it dearly, my criticism of it – as follower of the true faith of V & A – is that it’s Erasure's most generic-sounding album. Because it’s produced by Stephen Hague, it sounds similar to the stuff he was doing with The Communards and the Pet Shop Boys at the same time. For me, Erasure are at the best when all the lead and backing vocals are by Andy, and all the other noises are by Vince (using vintage analogue synthesizers only).